|Charlotte Law in Tabard with Pan and the goddess|
I began reading about Pan and also the early Sumerian version of him Dumuzi (Tammuz) who was the young shepherd lover of the early Mother goddess Inanna. There is surviving poetry written about their love affair and marriage in cuneiform. He became a god of fertility, played the pipes, but ultimately let her down when she descended into the underworld and he did not grieve enough. She punished him, sending him to the underworld in her place. He was restored but fated to spend six months in the underworld alternating with his sister, a myth explaining the seasons. The rising sap, the sacred marriage, and prayers for grain milk and cattle are all associated with him.
|Reeds and goats offering for Pan and the goddess|
On Saturday 2nd November a perfomance called Capillary Tissues was held at APT Gallery as part of Deptford X. Charlotte Law, Lia Mazzari, David Bloor, Philip Maguire and Mark Lyken wore sculpture and costumes I had made while they performed their improvised sound pieces. In the transition between pieces the audience brought offerings of rushes and wooden goats from the first perfomance space into my studio for Pan and the goddess who I had recently painted on my wall. Charlotte transformed from Pan into the goddess (a character based on a dream) while Lia became the male fertility god in a costume with a bulrush root and balls of stones, she led the audience out into the yard for a session with her bull whip.
|Lia Mazzari in bulrush and balls costume|
|Lia Mazzari and Charlotte Law as Pan and the goddess|
This summer I began physical or visual research and spent many hours in fields drawing goats and became fascinated by the transformation from four legged to two legged creature which happens when they stand to pull branches down to eat.